It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction.
Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greekdramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty.
Lyon Sprague de Camp (/ˌspreɪɡdəˈkæmp/; November 27, 1907 – November 6, 2000) was an American author of science fiction, fantasy and non-fiction literature. In a career spanning 60 years, he wrote over 100 books, both novels and works of non-fiction, including biographies of other fantasy authors. He was a major figure in science fiction in the 1930s and 1940s. (Full article...)
Star Trek: The Motion Picture is a 1979 American science fiction film directed by Robert Wise. The Motion Picture is based on and stars the cast of the 1966–1969 television series Star Trek created by Gene Roddenberry, who serves as producer. In the film, set in the 2270s, a mysterious and powerful alien cloud known as V'Ger approaches Earth, destroying everything in its path. Admiral James T. Kirk (William Shatner) assumes command of the recently refitted Starship Enterprise to lead it on a mission to determine V'Ger's origins and save the planet.
When Star Trek was canceled in 1969, Roddenberry lobbied Paramount Pictures to continue the franchise through a feature film. The success of the series in syndication convinced the studio to begin work on the film in 1975. A series of writers and scripts did not satisfy Paramount, and they scrapped the film project. Instead, Paramount planned on returning the franchise to its roots, with a new television series titled Star Trek: Phase II. The box office success of Star Wars and Close Encounters of the Third Kind convinced Paramount to change course, canceling production of Phase II and resuming work on a film. (Full article...)
Science fiction rarely is about scientists doing real science, in its slowness, its vagueness, the sort of tedious quality of getting out there and digging amongst rocks and then trying to convince people that what you're seeing justifies the conclusions you're making. The whole process of science is wildly under-represented in science fiction because it's not easy to write about. There are many facets of science that are almost exactly opposite of dramatic narrative. It's slow, tedious, inconclusive, it's hard to tell good guys from bad guys—it's everything that a normal hour of Star Trek is not.
Super Science Stories was an American pulpscience fiction magazine published by Popular Publications from 1940 to 1943, and again from 1949 to 1951. Popular launched it under their Fictioneers imprint, which they used for magazines, paying writers less than one cent per word. Frederik Pohl was hired in late 1939, at 19 years old, to edit the magazine; he also edited Astonishing Stories, a companion science fiction publication. Pohl left in mid-1941 and Super Science Stories was given to Alden H. Norton to edit; a few months later Norton rehired Pohl as an assistant. Popular gave Pohl a very low budget, so most manuscripts submitted to Super Science Stories had already been rejected by the higher-paying magazines. This made it difficult to acquire good fiction, but Pohl was able to acquire stories for the early issues from the Futurians, a group of young science fiction fans and aspiring writers.
Super Science Stories was an initial success, and within a year Popular increased Pohl's budget slightly, allowing him to pay a bonus rate on occasion. Pohl wrote many stories himself, to fill the magazine and to augment his salary. He managed to obtain stories by writers who subsequently became very well known, such as Isaac Asimov and Robert Heinlein. After Pohl entered the army in early 1943, wartime paper shortages led Popular to cease publication of Super Science Stories. The final issue of the first run was dated May of that year. In 1949 the title was revived with Ejler Jakobsson as editor; this version, which included many reprinted stories, lasted almost three years, with the last issue dated August 1951. A Canadian reprint edition of the first run included material from both Super Science Stories and Astonishing Stories; it was unusual in that it published some original fiction rather than just reprints. There were also Canadian and British reprint editions of the second incarnation of the magazine. (Full article...)
Expand and update a new speculative fiction article from the following list:
Note: If no articles are shown below, please work on those found in the Archive.
This list was generated from these rules. Questions and feedback are always welcome! The search is being run daily with the most recent ~14 days of results. Note: Some articles may not be relevant to this project.
Featured articles are considered to be the best on Wikipedia, as determined by Wikipedia's editors, and Good articles are those which are considered to be of good quality but which are not yet featured article quality. If you see one that should be listed here, please add it or post on the talk page and let us know so we can add it for you.
